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If one place is to be picked as the most important in the career of Elvis, it is without doubt Shreveport in the northwest part of Louisiana. The exposure that Elvis got through the radio broadcast of The Louisiana Hayride in 1954-56 was one of the key factors of establishing the early part of his career. With the exception of Las Vegas, there is no place where Elvis played more shows, and his return to the city in 1975 was like a homecoming to both Elvis and the many fans he had there since he started out. We have chosen to release the soundboard from the evening show of June 7 – definitely a show that Elvis and the audience truly enjoy, and with a great set list featuring old and new favourites. The CD comes in a 5" digipack with an eight-page booklet featuring photos from the June 1975 tour.

Hot on the heels of WELCOME HOME ELVIS comes its sequel, another Flaming Star production written by David English, which brings Elvis from Memphis back to the movie making business in Hollywood, and the actual production of G.I. BLUES. As with WELCOME HOME ELVIS the book features an album – this time not surprising the newly found original mono LP master for G.I. BLUES. As with its predecessor, the book is filled to the brim with great, rare and informative photos and documents.

In our classic album series, it is now time for the first volume of G.I. BLUES material. As always, in a 7" inch digi pack format with booklet. A lot of effort has gone into making these the best sounding G.I. BLUES recordings ever.

The new 5" digi pack release, FROM HAWAII TO LAS VEGAS , is a cassette recording of Elvis' January 25 dress rehearsal for his January/February 1973 season at The Las Vegas Hilton. The rough audio quality is more than compensated by the fascinating insight into how Elvis worked in order to create his shows. With little talk, and a lot of music, we are invited to a first row presentation of what he had in mind, and yet he decided to change the repertoire the next day. Among the many songs is "Separate Ways" – rehearsed with and without the orchestra - a song that Elvis chose to never perform in public.

Next in our classic album series is the 'ON STAGE - FEBRUARY, 1970' album. This 2-disc 7" digipack comes with a 12-page booklet. In addition to the original album the set includes all RCA's recordings from three of the shows.

This is a 2-disc 5" version of the original 'OUR MEMORIES OF ELVIS' albums, with an added bonus of the previously unreleased volume 3 LP master tape, as well as six more cuts that series producer Joan Deary had prepared at the time. Includes a 12-page booklet of memorabilia and photos.

Author and producer Michael Rose has assembled a most stunning glimpse of Elvis' life in 1956. Through literally hundreds of photos (many previously unpublished) we get to join Elvis at his show in Detroit on May 25. We stay with the tour for two more days in Columbus and Dayton and finally arrive in Memphis on May 28. Rose has interviewed people who attended the shows, found original newspaper coverage, chosen and organized the many photos, and arranged it all as a fascinating travel log. This is the Elvis that country legend Bob Wills aptly described as a 'punk', before controversy and Hollywood toned him down. The perfect companion to the new box set, 'Young Man With The Big Beat' (a few of the photos in the box set, including the front, actually comes from this book). 192 pages.

The latest in the Classic Album series dives into the 1969 sessions in Memphis featuring the original album, outtakes, rehearsals, unfinished masters, and "Suspicious Minds" as a bonus track.

FTD vinyl is pleased to announce the release of this special 2-disc 180-gram vinyl set. Re-mastered from original US tapes Vinyl cutting by ABBEY ROAD STUDIOS DMM Copper Mastering 180 Grams heavyweight vinyl Limited pressing

In 1973, Elvis booked sessions at Memphis' famous Stax Studios, where Booker T. & the MGs, Otis Redding, and numerous other soul stars had recorded hits. Unfortunately, initial efforts to have Elvis work with the Stax stable of musicians yielded few usable tracks, and Elvis soon called in his stage band to finish the sessions. The results can be heard on the albums Good Times, Raised On Rock, and Promised Land. Like most of Elvis' 70s recordings, Promised Land is an eclectic mix reflecting Elvis' many musical enthusiasms. The ten songs that make up this album run the gamut from country heartbreak songs ('There's a Honky Tonk Angel', 'Mr. Songman') to carnal white funk ('If You Talk in Your Sleep') to heartfelt gospel ('Help Me') to schmaltzy pop ('Love Song of the Year', 'It's Midnight'). While the performances on Promised Land are uniformly excellent, the material is a mixed bag of strong material and throwaways.